The tail end of a snare hit might dip below the threshold, but it would sound unnatural if the gate cut it off. This is super helpful in making sure your noise gates sound realistic. Once the volume of the track dips back under the threshold, the hold will make sure it doesn’t fade out right away. The hold holds the gate open for a little longer. Think of it like the top of a hill on a roller coaster.īefore the ride drops, sometimes it’ll hold you at the top of the hill for a few more seconds. Start with something under 5 ms and adjust from there. So make sure your attack is fast enough that your recording isn’t getting clipped. You don’t want the beginning of a drum hit or vocal line to get cut off. Usually, a fast attack is your best bet when using a noise gate. Once the volume passes the threshold, the attack tells the gate how quickly to open.Ī really fast attack will open up right away, while a slow attack will open up gradually, fading the sound in. We also need to decide how long it should take the gate to open up. We can’t just call it a day after setting the threshold and reduction. But that’s just a personal preference, so if you’d rather cut out the background drums entirely, go for it.
Logic noise reduction plugin full#
I feel like leaving some noise in the drum tracks helps round out the full kit in the mix. When getting rid of mic bleed in drums, I try to set the reduction so there’s still a little bleed. How low you set the reduction is kind of a taste thing, so experiment with what sounds most natural to you. The lower you set the reduction, the quieter the background noise will be. It’s only once the gate closes that the reduction turns the sound down. When the gate is open, the reduction doesn’t do anything. The reduction decides how quiet anything below the threshold is. Now that we’ve got our threshold, we need to decide how much to turn the kick bleed down. If we set the threshold at −18 dB, we’ll cut out the unwanted kick noise without affecting the snare. The snare is sitting around −11 dB, but the bleed from the kick drum is around −19 dB. See how loud the background noise you’re trying to get rid of is. The volume of anything below the threshold will be turned way down.Īn easy way to figure out how you should set the threshold is to just check your meters. Once a track reaches the same volume as the threshold, you’ll be able to hear it. It decides how loud the track needs to be for the gate to turn on.īut unlike a compressor, which turns loud sounds down, a gate lets loud sounds through. The threshold of a noise gate is a lot like the threshold of a compressor. If a car is honking during the vocal phrase, you won’t be able to get rid of it. Much better! This technique is really helpful in keeping your mix from sounding muddy.īut noise gates can’t get rid of all background noise. Pay attention to the background noise in this recording: Ī bit distracting right? Every time they stop singing, you can hear the metronome in the background.īut if we put a gate on the track, we can clean it up. For example, you can use a gate to get rid of excess room noise between vocal parts. If there’s background noise in your vocal recording, a noise gate can help get rid of that. Gating them will make your kit sound pretty weird. Overheads are meant to get a big picture recording of the entire drum kit.
You won’t want to gate your overhead mics though.
So a lot of the time, you’ll want to gate your drum tracks. By putting a noise gate on the snare track, we can get rid of a bunch of that background noise. When the drummer isn’t hitting the snare, you can hear the other drums in the background. This means the mic you’re using to record the snare’s probably going to record the kick as well. When you record drums, you’re almost always going to get “bleed” from the other drums. Let’s check out some of the most common uses of gates. Noise gates are helpful when you want to get rid of background noise in between musical phrases. So you should be able to tell when one does.
Logic noise reduction plugin how to#
Knowing when to use a noise gate is just as important as knowing how to use one. Tip #1: Knowing When You Need a Noise Gate We’ll be going through all of the important settings, but this diagram show’s you all the different parts of a noise gate: Once a noise gate opens, the sound can go through, and you’ll hear it loud and clear. When a noise gate is closed, you won’t hear anything. It either keeps the sound out or lets it through. Once the bouncer opens the door for you, you’re good to go! But before that you have to stand outside.Ī noise gate does exactly the same thing. A noise gate is a tool for cleaning up recordings that have background noise you don’t want in them.īefore you can go in, the bouncer has to let you through.
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